Tim Stüttgen (Hg.)

Post Porn Politics

queer_feminist perspective on the politics of porn performance and sex_work as culture production [symposium, reader]

Jahr
ISBN
Seiten
Preis in €
2009
978-3-933557-76-6
361
Vergriffen
What happens after the pornographic moment? What is the post. . . in porn? What is post to the term that is porn? Why watch porn? Why not? Or why not look for “other” porn? Why not produce post-porn? How do we theorize sex performance? How do we produce new body- and sex-technologies? How do we celebrate critical pleasures? How do we analyze and criticize without censorship? Why affirm the fetish? Why sexualize alienation? How do we intensify the relation between theory and practice? Why is power sexy? Why is the body a victim of capitalist commodification? Why don't we perform and show sex differently, instead of idealizing a way back to nature? A symposium on the biopolitics of pornography.

The concept called "post-porn" was invented by erotic photographer Wink van Kempen and made popular by sexwork-activist and performance artist Annie M. Sprinkle. It claimed a new status of sexual representation: Through identifying with critical joy and agency while deconstructing its hetero/normative and naturalising conditions, Sprinkle made us think of sex as a category open for use and appropriation of queer_feminist counter-pleasures beyond the victimising framework of censorship and taboo.

Table of Contents

I. Post/Porn/Paradigm: On Porn Studies, Dildonic Herstories and Queer_Feminist Fetishism

Tim Stuttgen: Before Orgasm. Fifteen Fragments on a Cartography of Post/Pornographic Politics. 8

Beatriz Preciado: The Architecture of Porn. Museum Walls, Urban Detritus and Stag Rooms for Porn-Prosthetic Eyes. 22

Tim Stüttgen: Disidentification in the Center of Power.The Porn Performer and Director Belladonna as a Contrasexual Producer. A Letter to Beatriz Preciado. 40

Stephan Geene: The Happiness of the Displaced Feeling. The Invisible Hand, Penis Surrogates, and Sex. 62

Katja Diefenbach: Fizzle Out in White. Postporn Politics and the Deconstruction of Fetishism. 72

Post Porn Brunch: Elizabeth M.Stephens, Annie M. Sprinkle and Cosey Fanni Tutti. 88

II. More than One Male Sex: On Bio-Penisses, Gay Auteurism and the Ambivalence of Ejaculation

Murat Aydemir: The Cum Shot as Period, Ellipsis and Question Mark. 124

Todd Verow: I'm Proud of My Porn Work. 138

Michaela Wünsch: The Cryptoaesthetics of Jean Genet. 150

Bruce LaBruce: I tend to believe that homosexuality is by its very nature subversive and revolutionary, although inexplicably most homosexuals today do their best to make it as mundane and inoffensive as heterosexuality 162

Maxime Cervuile: Erotic/Exotic. Race and Class in French Gay "Ethnic" Pornography. 180

Lee Edelman: Unbecoming:Pornography and the Queer Event. 194

III. Web-Abuse: On Electronic Networks, DIY-Porn and the Infinity of Cybersex.

Matteo Pasquinelli: Libidinal Parasites and the Machinic Excess: On the Dystopian Biosphere of Networks. 212

Katrien Jacobs and Chantal Zakari: Soft Arousal Latex Party: Web Arousal and Porno Exhaustion. 224

Shu Lea Cheang: The Body Functions as a Hard Drive. 240

Maria Llopis: GirlsWhoLikePorno - Without risk, there is nothing to fight for. 258

IV. Pis/Identifications: Performance and Embodiment, Drag and Transgender Politics.

Tim Stuttgen / Tara Herbst: Bubu de la Madeleine - Identifying as a Sex Worker- Dissentifying as a Sex Worker. 282

Terre Thaemlitz: Viva McGlam Is Transgenderism a Critique of or a Capitulation to Opulence-Driven Glamour Models? 296

William Wheeler: My costumes got me interested in different kinds of sexuality, because they made me touch my body differently. 312

Werner Hirsch: Laughing is loud and dirty. 324

Tobaron Waxman: The First Time He Tought He Was Beautiful; A Transmasculine Pornographic Sublime. In honor of the life of BriXton Brady. 332

Terre Thaemlitz: I A m Not a Lesbian! - An Official Response to those three little Words: "Are you gay?" 354

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